Thanks again, Richard, and if you're reading this, I hope to see you in Williamsburg again next year!
Tuesday, October 23, 2012
Photo of the habit.
I was fortunate to have run into Richard Nadeau (a real photographer!) at Colonial Williamsburg. He was kind enough to take some photos of me in my riding habit. He is in the middle of a major move, but took the time to dig out a computer so he could email me this.
Saturday, October 20, 2012
The Merida Costume
Sweet Daughter has been consumed with all things “Brave” since we saw
it in the theater this summer, and she decided that’s who she wanted to be for
Halloween. I’d started collecting bits and pieces before I went into
hyper-drive on my riding habit, so I had the teal colored velour (thanks,
eBay!) and the dark brown suede shoes (thanks, eBay!) when I decided to get
down to business this week.
The sleeve pieces I cut without any ease, as the velour had some
stretch, and I wanted them to stay in place. I sewed some 1” wide tubes out of
the scraps and used those to connect the sleeves together and attached them to
the gown.
Photo found here, the Pixar Wiki site. |
You see … there was a party last night and she wanted to go, so I had
to get busy.
You know what the hardest part was? Deciding where I was willing to cut
corners because it was JUST A COSTUME. Quit laughing. You know who you are.
Yes, I researched it. I looked at still shots of the movie. I zoomed in
on the details trying to figure out what it was they were basing her gown on.
(And, no, it couldn’t have been the fancy one, it had to be the “everyday”
dress.) Now, medieval fashion is not in any way my strong point, but I could
tell that there was some kind of dress over some sort of shirt/shift/chemise
thing. But what to do for the gown? Then it occurred to me. I’d made this tunic
for a co-worker this summer. What if I just cut it floor length? And made it
with different sleeves? Then the shift-thing could poke out in the gaps, and
hopefully look like the movie.
So, where to start? When in doubt, go with what you know, so I grabbed
the Mill Farm shift directions that are included with their girl’s 18thcentury gown pattern and lengthened the sleeves so they’d fit over the bend of
the elbow and still come down to the wrist and end in a 1” ruffle. I cut them
sideways so the neat selvedge edge of the muslin (yes, cotton muslin. Go ahead,
say it …) would act as the hem. I used bias tape for the casing for the elastic
(I know, I’m still twitching from the experience), inserted the elastic, and
sewed up the arm seams. I cut the body out of the remaining width of muslin and
didn’t even bother to cut in an A-line. (I know, I was living dangerously at
this point, and there was no looking back.) I measured the width from the point
of shoulder to where I wanted the neckline to be, and everything in the middle
got cut out for the neckline (2” deep in back, 3” deep in front). I added a
ruffle of some pre-pleated ruffle thing found at our local Micro-Walmart (had I
been thinking, I would have cut the shift 1 1/4” narrower, and used the
selvedge from the other side), some more bias tape and elastic, and I had a
neck casing. Add sleeve gussets, sleeves and hem, and done in 90 minutes.
For the gown, I started with a mock-up. I measured her chest and waist,
and the distance from her waist, up over her shoulder, and down her back to her
… waist. I cut a piece of scrap fabric out that long and folded it in half. I
added some width for ease and seam allowance, and cut an A-line shape along
those measurements and sewed up the sides, leaving room for the armholes. I cut
a + just big enough for her head to poke through, and tried it on over the
shift. I pinned the shoulder seam, drew where the armholes should be, and marked
the neckline. I also fit the sleeve pieces that were cut to her arm
measurements (plus seam allowance). I marked the hem, and the shape of the
upper sleeve, and then went to work on the teal velour.
I bought two yards off of eBay – they were already cut, when meant the
gown wasn’t going to be any longer than about 36”. Luckily, that was just about
right so SD could run around without tripping. I cut the main panels from two
rectangles of fabric, and then transferred the shaping from the mock-up. From the
remaining fabric, I cut 4 triangular gores, making sure the nap on the
triangles went the same way as the gown. I cut a slit up the center of the
front and back rectangles, and inserted a gore in each one, and one on each
side.
Then I finished the rest of the side seams, hemmed the armholes and neckline, and had SD try it on. To say she was happy with it was an understatement.
Center front gore |
Then I finished the rest of the side seams, hemmed the armholes and neckline, and had SD try it on. To say she was happy with it was an understatement.
How I love eBay! |
A friend of SD’s had bought a Merida costume which actually came with a
wig. Since the friend already had perfectly long, curly red hair, she gave SD
the wig. Add leather shoes, and a bow and arrow left over from her birthday
party and she was all set.
Add a cape made from a yard of gray fleece cut into a half circle and you're ready for the cold. |
Wednesday, October 10, 2012
The Uber Project
About two years ago, I got the crazy idea of making an 18th
century woman’s riding habit. Not just any habit, but one based on a regimental
uniform as seen worn by Lady Worsley and Mrs. John Montressor. I started
collecting the bits and pieces needed, and in June I got started. I debuted it
this past weekend in Williamsburg. Unfortunately, I don’t have many pictures as
we’re not supposed to be seen with a camera in our hand while in 18th
century clothing. I’m hoping to get more pictures, but this will have to do for
now.
I did have a brief “Oh … crap” moment while on my way to the Commander’s
Meeting on Saturday morning. You see, we turned our coats for “Prelude to
Victory” that weekend, and were portraying Continentals and I was wearing red.
Bright, screaming, lobster-back red. But you know what? Not one single person
asked me why all weekend. Not only that, the Continental Guard posted on the Wythe
House came to “present arms” not once, but twice when I walked by. It must have
been the epaulettes. Or something. Because (1) I was a woman, and therefore
could not possibly have rank, and (2) I was in a red. Even his Excellency,
General Washington (and his staff) took note of me and gave a polite nod in
passing. Sweet Daughter looks sad because she had just shut a very heavy door on two of her fingers. We've got it wrapped in ice. |
I call that a win.
While strolling around town, I had a brief squee moment when I ran into
Lauren from The American Duchess. I don’t spend as much time on the costume
blogs, but I recognized her from a tutorial she did on hedgehog hairstyles. I believe
I blurted out “HEY! You have a BLOG!” Classy, no? Anyhow, she looked fantastic,
and was very polite as we compared notes on seaming techniques. And I seriously
covet her silk stockings.
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