Six degrees of separation

Remember that Continental regimental I altered for Eric? The one he wanted to wear to IGOLD? Well, wear it he did. As a matter of fact, he was asked to be the Color bearer at the head of the parade.











But wait. It gets better. Eric got to meet Otis. Yes, that Otis. According to Eric, the Illinois State Rifle Association wanted pictures of the two of them together as they were both “revolutionaries”. Eric said Mr. McDonald was a class act and all around nice, nice guy.

Yeah. That’s Otis McDonald next to the regimental I altered. So it’s really only two degrees of separation. I’m such a geek.

Bayonets and Bullets

While getting ready for our first event of the season (another post for another day), one of our members, who portrays a civilian following the army, asked if we could run a bayonet through a piece of shirt linen so she’d have a example of the kind of mending that she might be doing in camp. A chance to pull out the pointy bits? Sure thing! Even better if we put a hunk of meat behind the linen to … well you can probably figure that part out yourself.

A piece of shirt-weight linen was dug up, an inexpensive roast was acquired in the name of science, and my British reproduction bayonet was affixed to the end of my lovely reproduction Spanish musket. The roast was place on a mostly rotted stump, and stabbity!

Note the bayonet *and* shirt went through the roast.

The bayonet went right through the roast and into the dirt. And I do mean right *through* the roast. The bayonet was removed, and the shirt fabric remained in the hole. When the fabric was removed, a surprisingly small hole was left in the fabric.
 

Okay. Time to crank it up to the next level. What were the chances of someone getting bayoneted in his sleep when all he was wearing was a shirt? It was much more likely that one would get run through on the battlefield. So I dug into my giant tub of scraps and pulled out piece of wool left over from making a regimental, some linen lining fabric, wool flannel used for a waistcoat, more linen lining fabric, and shirt-weight linen. I stitched around the outside to hold the layers in place and viola! A cross-section of clothing.

It was duly stabbed. Notice how the fabric was also shoved into the roast when it hit the tree stump. The British bayonet, being a reproduction and not properly heat treated, bent. Time for the Spanish bayonet. It had a much smaller diameter – about as big around as my finger, and was rounded instead of having three sides. After about three stabs, it also being a reproduction (and not properly tempered), snapped. It left an even smaller hole.

This is the British bayonet.

But then, if you’re being bayoneted, the guy on the other end of the pointy bit is probably under the influence of a wee bit of adrenaline, and you will meet your end as the result of being folded, spindled and mutilated. The true power of the bayonet is that people don't tend to stick around to get stuck. That's how the Brits managed to break to Continental line often early in the war - it's a terror weapon. The 18th century Spanish musket drill even has a step where your brandish your shiny, pointy bayonet at the enemy before affixing it to the end of your musket.

Three bayonet holes - one from the British bayonet, and two from the Spanish.

Next step? Why shoot a lead ball through it, of course!
 

 

About .65 caliber. Unlike the bayonet holes, notice the difference between the entry and exit openings.
 

 
See how the fabric is frayed? Guess where all that fabric ended up? That’s right. In the wound. It was believed that the resulting infection was there in part to clean the foreign objects out of the wound. When that didn’t go as planned, amputation was the next step. No pre-op medication because the only thing that would take away the pain would also take away your ability to breathe, and alcohol makes you bleed faster, the only option was speed. An average of 3 – 5 minutes from slice to thump. And no. No hot pitch applied to the stump. What are you, a savage? A torso wound? Sucks to be you.

I'm not dead.

I’m not just resting, either. Lots of projects going on to prepare for our first big living history event of the season. I’ve been doing lots of sewing … so much so (hahahah) that repeatedly pushing the needle through the fabric and into my finger has given me a tattoo of sorts. And a heck of a callous.

The closest think to a tattoo that I'll ever have.

This next event is very hands-on for the public, so I picked up a coffee grinder that had an 18th-century look to it. It also looked like the bicentennial threw up on it, but I figured I could always repaint it as a last resort. It’s not an original, but then, I won’t have aneurysm if someone drops it.

Before - with a stunning color scheme.

I think it cleaned up rather well – much better than I had hoped. The stain color was achieved by mixing together about 3 different sample packets I had. It kind of looks like cherry.

More posts next week - including what happens when you run an 18th century bayonet through a shirt and into a pot roast. Try to contain your excitement.

Want.

Really, really want.

The iPod/mp3 player can be connected on the outside of the A-BOX as well as the inside so you can listen to your tunes while running around with the A-BOX for example or just protecting your iPod from bullets and stuff.

But at these prices, I may have much better luck asking the office engineering genius if he’d like to build one.

Reworking a Regimental

I lurk on a Yahoo group that focuses on the American Revolution. A guy – let’s call him Eric, because, well, that’s his name – asked for some help in shortening the length of a Lottery Coat he’d picked up. He simply wanted to know how far above the knees the skirts should be as this coat wasn’t custom made and was too long. Now this group takes its research seriously, and for the most part they honestly just want to help others avoid mistakes they’ve made. In this case though, it felt like Eric was taken to task for buying suboptimal coat. Sort of like a school of piranhas descending upon a cow carcass. In defense of his acquisition (he bartered for it) Eric mentioned that he simply wanted to wear it to IGOLD and not look like an idiot. Or words to that effect.

At that point, I contacted Eric, told him to mark the alterations and send the coat to me and I’d take care of it. This was a completely selfish move on my part – I didn’t want an ill-fitting regimental reflecting poorly on reenactors or to have him show up on the 6:00 news in that story about those wacky gun-rights advocates looking like he dressed up in a costume from the community theater.

The coat arrived and I was … not impressed. Not only had the seams not been pressed during (or after) construction, the fabric didn’t appear to be pressed – ever. The lining was cheap cotton osnaburg. So, I cut out the lining from the waist down and replaced it with linen. I left the wool edges raw, and turned under the linen. I shortened the cuffs. I replaced the hooks that held it together at the front. I added the missing pleats in the skirts. I just wish I’d had time to rework all the button holes and make the pockets bigger. Eric will be replacing the brushed aluminum (!!) buttons with something appropriate in pewter.

New linen lining on the skirts.

And more pictures later - they're not downloading tonight.

So, if you’re at IGOLD next week on the 10th, and if you see a gentleman in a Continental uniform waving a Gadsden flag, please go up and complement him on his turnbacks. He's promised to take lots of pictures.

Thanks, Eric, for letting me use your pictures and your story!

Time to get rolling.

It’s that time of year. Time to get ready for the next reenacting season. Time to decide if I’m going to mend the shift with the shredded sleeves (when you buy $6/yard linen, you get what you pay for), or make a new one. Time to try on Sweet Daughter’s event clothes and heave a sigh of relief that the gowns will fit another year, but just sigh when I realize that she needs new shifts worse than I do. Pat myself on the back for picking up new “good enough” event shoes for her in a bigger size last month when I wasn’t under a time crunch. Time to start churning out the stuff I haven’t been working on for the past 6 months because I was tired of looking at all of it.


It’s also time to start working on the details to improve our impression for the year – like edible hornbooks! The mold is an 18th century reproduction from Trier, Germany. The receipt is from Hannah Glasse’s 1774 The Art of Cookery made Plain and Easy.

To make ginger-bread cakes.

TAKE three pounds of flour, one pound of sugar, one pound of butter rubbed in very fine, two ounces of ginger beat fine, a large nutmeg grated; then take a pound of treacle, a quarter of a pint of cream, make them warm together, and make up the bread stiff; roll it out, and make it up into thin cakes, cut them out with a tea-cup, or small glass, or roll them round like nuts, and bake them on tin plates in a slack oven.

First up, was to cut the recipe in half so it would fit in my mixing bowl. I decided to cut the amount of ginger in half so it wouldn’t be so hot, and substitute black-strap molasses for the treacle as it is more common on this side of the pond. That, and I couldn’t find treacle in the regional upscale grocery store, much less in the local Food Lion.


I threw two sticks of butter in mixing bowl, weighed the sugar, and creamed the two together. I added the spices and about half the flour. Then I weighed and added the molasses, some more flour, the cream, and the rest of the flour. The consistency was perfect. Not to stiff to roll out, but not so sticky that it clung to my cookie mold. I rolled the dough to a scant ¼” thick, pressed the mold into the dough, lifted it off, cut around the resulting design and put it on a parchment-lined cookie sheet. I baked them at about 325 degrees for about 20 minutes. I think I’ll cut the baking time back a little next time as these were a little dry. I don’t know why I was thinking they had to be baked to the consistency of hard-tack. Still, they were good – a very robust flavor, a little chewy, and not too sweet.

Who knew?

Way, way back, in a previous life, the last time unemployment AND interest rates were in the double-digits, I was making maps for a living. Considering my B.A. was a double major in American Studies with an Emphasis in Heritage Preservation and Geography, I was thrilled to have a job that justified my student loans and paid the rent. AutoCAD was a rarity in the private sector, and so topographic maps were edited by hand. The resulting image was digitized on a giant light table (again, by hand – Click. Click. Click.) that fed into a VAX system. Numbers were assigned to elevations manually using a temperamental stylus jabbing somewhat futilely at a crappy monochrome monitor while the other hand keyed in elevations. The resulting product was used to guide cruise missiles.

So boy was I surprised when I found out via an interview with Shaun White that I was culpable for the war in Iraq.

"It works well if you think about the Tomahawk missile, and that's what created the whole Iraqi War."
-- Kyra Phillips, CNN